Blog Archives

Solid State, the Future of Storage

solid stateREVISION* Since the VHS ( and Beta for you Sony lovers ) back in the early eighties, recording formats have been one of the slowest forms of a growing technology in the A/V industry.  Digi-Beta and BetaCam have long been the standard for the industry but as the song goes, “the time’s, they are a changing” .From DVD’s and mini-discs all the way to hard drives, the techies have been plotting to remove tape and install a new standard, and slowly but surely over the past few years production studios have started to come on board.  Broadcast stations have been and are continuing  to make the switch to tapless media both in storage and recording formats, and industry enthusiasts seems ready to make tape a thing of the past. 
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Using Sorenson Squeeze for Flash

sorenson squeezeHaving worked as an editor for over seven years now, I think it’s safe to say that I’ve had the opportunity to export to the majority of different formats one can.  But now days I find more and more that both clients and studios alike are asking for streaming video for the web.  It may seem simple for some, especially considering all the YouTube videos that are uploaded these days, however, uploading to YouTube and properly putting video on a company website is completely different.  Usually I find out about how improperly it was done after the fact, and usually the people involved don’t understand what they did wrong.  So here we go.

There are alot of great programs out there but I prefer using Sorenson Squeeze.  It’s an excellent program which gives the user full control over all aspects of the encoding process, which is one of the main reasons why most people who are not industry savvy find it overwhelming.  Another very notable mention regarding Sorenson Squeeze, is that it carries one of the most important plug-in’s, On2Vp6, which is specifically for the purpose of exporting Flash.  On2Vp6 is a codec that gives you incredibly good video quality at a very small file size, but it’s also important to understand all the other options in Sorenson Squeeze as well to see what exactly to set your settings too.  I’ll give you the most important three. 

1.  First off, like I mentioned set your codec to On2VP6, which you may have to pay for given the fact that it is a licened plug-in. 

2.  Next your bitrate.  Now although you can go as high as you like you have to consider the fact that this is not just your video to watch.  People have to actually stream this, so going to high may limit some’s ability to watch the video without major delays.  In order to balance quality with a reasonable load time I would say to put your video ( should it be within reasonable size, ie 360 x 240 or 480 x 360) to around 500 kbs.  This should give you great video quality without too much lag. 

3.  An overlooked aspect is the buffer.  I can’t tell you how many times I get people complaining that they did everything right yet there still getting their video pausing in the middle since the it hasn’t finished buffering ( or in other words fully loading).  Sorenson gives you full control over all the buffer options so you can experiment to see what you prefer.  If your a real stickler about your video and you want no chance of a lag since it can ruin the “flow”, you need to set you starting buffer to around the 20 second mark and adjust your other buffer sizes according ( there are two others – optimal and maximum, just look at the difference between starting and the others and adjust them up).

So that’s it.  Now you can enjoy uploading great quality video in a small size to the web that people of all web server speeds will be able to appreciate.   Since this can be a source of frustration for new users, feel free to email me if you get stuck or have any questions.

Avid Makes Big Changes with Release of Media Composer 5

Final Cut lost one of it’s better selling features with the release of Avid’s Media Composer v5. Although Final Cut still retains it’s “one stop studio” (similar to that of the more consumer used Adobe Production Suite), Avid has now incorporated the drag and drop format for video and audio along with the ability to import footage without having to transcode. The latter being one of the biggest complaints of Final Cut users when working with Media Composer, since the ability to just grab (most) video formats and simply import them into your project in seconds has always been a primary function of workflow with FCP. Well, now Avid has finally added this convenient little feature to v5, and it will certainly take a little wind out of the sails of Final Cut’s ambitious climb to topple Avid in the post production market.
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‘Assimilate’ Adds New Fire With Scratch v.5.1

SCRATCH the’ Digital Finishing Solution’ by Assimilate is billed by the company as the essential mix for a real-time, resolution-dependent data workflow.Riding the RED MX Wave and beyond: The RED-ONE Digital Camera has taken the entertainment world by storm.  Assimilate’s Scratch 5.1 leads the industry with first support for RED cameras, such as support for multiple RED Rocket cards in a single SCRATCH system; first dual RED Rocket support for MX R3D; and first non-RED application to support the new RED MX sensor and revised color math, with native real-time playback and adjustment of all on-camera color parameters, such as FLUT, exposure, and curves. Working easily with the native R3D files, SCRATCH streamlines the RED ONE MX workflow and delivers a high-quality master for multiple delivery formats.

With 3D in full gear, Assimilate has given post artists the ability to work in real-time 3D at all times with direct output to any stereoscopic display system. Additionally. Assimilate offers post houses it’s exclusive 3Play Pro, which enables playback and review of full-resolution HD stereoscopic material on a variety of consumer 3D monitors, as well as non-3D monitors using a variety of Anaglyph formats.  With enhanced color grading along with finishing and compositing, Scratch v.5.1 also offers support that reads and writes every DNxHD format, which provides full compatibility with AVID media for projects originating on Media Composer, Symphony, or DS.

Assimilate’s Scratch v.5.1 will be on display at this years NAB with multiple booths for those eager to test out the new features and take a test run on what is proving to be a valuable asset to those in the post community.

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